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the Big Picture

The four interesting people: (read more about) filmmaker Richard Fung, writer Sheila Heti, curator Michelle Jacques, and designer Leanne Shapton.



jones
 
 

Helen Jones

Ilena oil on canvas 16 x 20" (2001)

Helen Jones is an art student at Avenue Road Art School in Toronto. These portraits were done as class assignments for John Viljeon's popular Masters Class in Portraiture.
 

 
Mara Korkola

Mara Korkola

No place 30 #1 oil on wood panel 4 x 5" (2002)

Mara Korkola uses actual locations in her paintings but she chooses sites that are particularly generic and mundane. She shoots and drives and keeps any notable buildings out of the frame.
Buy Mara's art at Lonsdale Gallery in Toronto lonsdale@idirect.com,
or Douglas Udell Gallery in Vancouver dug@douglasudellgallery.com
Contact Mara Mara_Korkola@camh.net
 

 
krueger

Nestor Kruger

two turntables digital video on dual screen projections (2002)

Nestor Kruger's work often deals with realities and fictions, and recently with natural and virtual nature. His first digital video project, two turntables, was shown at The Power Plant last summer. The installation involved two projections of 100 Linden trees, each one synthetically created using an inexpensive software program.
Another Nestor project: http://www.artmetropole.com/site/thebalcony/kruger/kruger.htm
Buy Nestor's art from John or Roger at Goodwater Gallery goodwatergallery@on.aibn.com
 

 
Logan

Jason Logan

untitled mixed media on paper (2001)

Jason Logan draws primarily with gouache, ink and black pen. He uses contact lens solution to create watery effects.
Contact Jason at jasonlogan@yahoo.com
 

 
monkman

Kent Monkman

Nearer My God To Thee acrylic on canvas 36 x 48" (2000-01)

Kent Monkman's Prayer Languages series addresses the effects of Christianity on Aboriginal sexuality. Erotic images of men wrestling are barely discernible beneath layers of Cree syllabics that were resurrected a century ago by an Anglican missionarly in Manitoba and used to transcribe church hymns. It is not clear whether the figures are embracing or fighting. They are, perhaps, a metaphor for conflicting ideologies.
More about Kent http://www.urbannation.com/kent.htm
Contact Kent kent@urbannation.com
 

 
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